![]() ![]() ![]() Part I: Hitchcock and Authorship 1 Hitchcock the Author Thomas Leitch 2 Wrong Men on the Run: The 39 Steps as Hitchcock’s Espionage Paradigm Walter Raubicheck and Walter Srebnick 3 The Role and Presence of Authorship in Suspicion Patrick Faubert Part II: Hitchcock Adapting 4 Melancholy Elephants: Hitchcock and Ingenious Adaptation Ken Mogg 5 Conrad’s The Secret Agent, Hitchcock’s Sabotage, and the Inspiration of “Public Uneasiness” Matthew Paul Carlson 6 Stranger(s) than Fiction: Adaptation, Modernity, and the Menace of Fan Culture in Hitchcock’s Strangers on a Train Leslie H. ![]() PN1998.3.H58H48 2014 791.4302’33092-dc23 2013039264 TM The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Hitchcock, Alfred, 1899–1980-Criticism and interpretation. Includes bibliographical references and index. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Hitchcock and adaptation : on the page and screen / edited by Mark Osteen. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. Published by Rowman & Littlefield 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 10 Thornbury Road, Plymouth PL6 7PP, United Kingdom Copyright © 2014 by Rowman & Littlefield All rights reserved. Hitchcock and Adaptation On the Page and Screen Edited by Mark Osteen ![]()
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